<![CDATA[Choir of New College Oxford - News & Events]]>Wed, 25 Nov 2015 18:13:29 +0000Weebly<![CDATA[Carol services & Christmas concert - ticketing update]]>Wed, 25 Nov 2015 18:06:46 GMThttp://www.newcollegechoir.com/news--events/carol-services-christmas-concert-ticketing-updatePicture
New College Choir Carol Services 2015
Sunday 29 November at 5.30pm
Sunday 6 December at 3.00pm
Due to enormous demand, we regret that there are currently no more tickets available for the Christmas Carol Service on 6 December. 

However, a very few antechapel (restricted view) tickets are still available for this Sunday’s Advent Carol service – please email choir@new.ox.ac.uk for details. 
There are generally returns on the day, so all those still interested in attending either service may want to queue at the antechapel entrance for any spare seats.  Both services will also be available afterwards as webcasts.
Tickets are still available for the concert on Tuesday 8 December - the Choir of New College Oxford will be singing at Dorchester Abbey, in a Festival of Readings and Music for Christmas, in aid of the Home Farm Trust. More information on this event, and a link to buy tickets (via Eventbrite), is on our Upcoming Events page.

<![CDATA[Sister choir]]>Sun, 15 Nov 2015 18:12:43 GMThttp://www.newcollegechoir.com/news--events/sister-choirToday history was made by the girl choristers of Frideswide Voices. Making their debut in Oxford's oldest choral foundation, they were joined by the New College clerks and conducted by Robert Quinney.

​Frideswide Voices was founded last year, and is flourishing under the direction of Will Dawes. We are not the first foundation to host them - in fact, we were beaten to it by both Magdalen and Christ Church, and the girls have also sung at Queen's, Oriel, Trinity, and many times at Worcester - but we hope it won't be long before they return. We certainly have many reasons to welcome them; not least, the fact that several of the Frideswide girls are sisters of current or former New College choristers. It was good to see many relations, friends and supporters in the congregation this evening.

Below, Frideswide Voices in rehearsal, singing music by Purcell. The photograph was taken (without flash so as not to distract the choristers!) by Nancy-Jane Rucker.

Robert Quinney

<![CDATA[Assistant Organist releases new disc]]>Tue, 10 Nov 2015 23:54:58 GMThttp://www.newcollegechoir.com/news--events/assistant-organist-releases-new-disc
We're pleased to announce the release of a disc by the Assistant Organist, Timothy Wakerell, recorded at St. Paul's Cathedral whilst he was Sub Organist there, shortly before he came to New College. Entitled The St. Paul's Gem, it is the premiere recording of the latest addition to the organs of the cathedral - the William Drake (2012) organ in the OBE Chapel, which was in fact Drake's last completed instrument.

For the tracklist, sample track, and to buy the disc, click here.

A wonderful programme to introduce this new organ.
Lark Reviews

...[a] more than agreeable border-crossing, centuries-spanning recital...
Wakerell plays an eclectic programme that spans the stately sobriety of [John] Bull's 'Goodnight' and Georg Böhm to the robust sincerity of Bach's Toccata & Fugue in F (BWV 540) and the dancing brio of C. P. E. Bach's Sonata in F (Wq 70/3, 1184). Bringing things more up-to-date are Saint-Saëns's delectable 'Allegro giocoso' from the 'Seven Improvisations' and Niels Gade's luxurious Mendelssohn-indebted Moderato in F.
Choir & Organ
<![CDATA[Year's mind]]>Fri, 30 Oct 2015 08:19:47 GMThttp://www.newcollegechoir.com/news--events/years-mindThose of us who make music on a regular basis, as our job, know that the small irritations and difficulties of life often intervene, making it difficult for us fully to give ourselves to – and, in the case of a conductor, fully to involve others in – the task. But there are also times when everything comes into perfect balance, and the music flows unimpeded, lifting us above and beyond ourselves. At those times I think of David Trendell.

David died one year ago, at the age of fifty. Much has been written about him, and the world hardly needs another testament to his warmth, wit, conviviality, erudition, or any of the many other attributes that spring to mind. Nevertheless, I’ve hijacked the New College Choir blog to add my voice to the many, after a year of saying nothing in public about David, but thinking about him perhaps every day. (David was never a member of New College Choir, though he did sometimes sing in it while a postgraduate at Oxford, and even occasionally directed the choir in Edward Higginbottom’s absence – an experience he much enjoyed.)

Music flowed unimpeded from David. Nothing seemed ever to stop it, and nothing was ever a barrier to his sensuous expressivity. Not for him the mean proprieties of ‘style’; he treated music of any genre or era with the same relentless focus – mostly articulated through gesture, not words – on line and expression. Byrd and Brahms, Rogier and Howells never sounded identical – how could they? – but all benefitted from the same attention to the text, and to the direction and inner life of each phrase. David’s work proposed a telling critique of the cult of ‘specialism’. Good music, of any kind, was all the same to him.

The first choir I saw David direct was a group of boy choristers at the Edington Festival. From a disparate bunch of sixteen trebles, drawn from eight different choirs, he immediately – I mean immediately – drew unanimous, cohesive, shapely singing. It was difficult to see how he was achieving this: not by telling them what to do; not by correcting them; not by making ‘points’ about the music. Nothing in my prior experience could explain this magic, but gradually the realisation dawned: David was (simply - but there's nothing simple about it) taking their combined experience, encouraging them to connect individually with the music, and thus enabling their transformation into an ensemble greater than the sum of its parts. I do my best to achieve this every day, and sometimes I think I might be almost as good as David, who did it for a few years running, during his summer holiday. And that, of course, was a tiny part of a life filled to the brim with musical experience and achievement. One need only listen to one of his recordings with the Choir of King’s College, London to witness a group of young musicians brought to heights of virtuosity and interpretative maturity, remarkable by any standard.

Perhaps what I’ve written might be taken to suggest that David was some kind of dumb savant, from whom music flowed because it was his only means of expression. No; he was a superbly articulate man. How could he have been otherwise, blessed with keen intelligence, a vast resource of knowledge, and little if any inhibition?

What else? David wore good clothes, badly. He was splendidly unkempt, and I can’t help but take the irrepressibility of his physique, incapable of being controlled even by Jermyn Street collars and Harris tweed cuffs, as a metaphor for the insatiable appetite for life he demonstrated in so many ways. To those who think Church music can only be devotional if it is demure, and to other Roundheads, he was a gloriously Cavalier provocation. A one-off, his influence nevertheless continues to extend through any musician who came into contact with him.

One year on, it may be time to say goodbye to David Trendell, much as one would like to believe that the next meeting – a drink, supper perhaps, do you know La poule au pot? – were just a few weeks away. The good news is that it will never be possible to forget him.

Robert Quinney
<![CDATA[Rome Choir Tour Diary]]>Mon, 06 Jul 2015 04:22:31 GMThttp://www.newcollegechoir.com/news--events/rome-choir-tour-diary
"A memorable tour, I think it’s safe to say – in fact, unforgettable for all of us."

Robert Quinney's detailed tour diary of our recent trip to Rome - during which we gave a concert in the Sistine Chapel with the Capella Sistina, sang at the Papal Pallium Mass in St Peter's, and met His Holiness Pope Francis - is now online, and can be seen here, in a dynamic, full-screen report on the visit, with photos.

Please note: the tour diary is running on a Beta concept - one we're considering integrating into our new website - we'd welcome feedback, positive or negative: please send any thoughts to choir.webmaster@new.ox.ac.uk.
<![CDATA[Visit of the Romans to Oxford]]>Sun, 24 May 2015 13:17:44 GMThttp://www.newcollegechoir.com/news--events/visit-of-the-romansBy mid-May, preparations for our trip to Rome were apace - the librarian's table groaning under the weight of music booklets bearing the papal arms, the song room resounding with Palestrina (amongst others), and, at the end of May, we had the treat of a visit by the Cappella Sistina, for a joint rehearsal for this exciting event - as well as being treated in turn to a Eucharist sung largely by the Clerks, including the magnificent Duruflé Messe 'Cum jubilo', and then joining with them in singing Parry's 'My soul, there is a country'. Radio Vaticana had an article about the event here.

Click here to see our dynamic, full-screen report on the visit, with photos.
This is a Beta concept - one we're considering integrating into our new website - we'd welcome feedback, positive or negative: please send any thoughts to choir.webmaster@new.ox.ac.uk.
<![CDATA[Upcoming Choir Tour - Rome]]>Tue, 05 May 2015 20:03:21 GMThttp://www.newcollegechoir.com/news--events/june-2015-choir-tour-romePicture
The Choir of New College Oxford is delighted to announce that we have been invited by the Holy See, and the Cappella Musicale Pontificia Sistina, to the Vatican City at the end of June.

On the evening of Saturday 27 June, we will give a joint concert with the Cappella Sistina in the Sistine Chapel.
Then, on the morning of Monday 29 June, we will sing, with the Cappella Sistina, at the Papal Pallium Mass for the Solemnity of Ss. Peter & Paul, celebrated by His Holiness Pope Francis, in St. Peter's Basilica.

For information on timings and tickets, please see the relevant section of our Upcoming Events page.

The Choir of New College Oxford last visited Rome, by invitation of the
Fondazione pro Musica e Arte Sacra, in December 2010: you can read Edward Higginbottom's news post concerning that tour here.

<![CDATA[Somerville Choristership]]>Tue, 28 Apr 2015 11:58:32 GMThttp://www.newcollegechoir.com/news--events/somerville-choristershipSomerville Medal
The first Somerville Chorister will be invested at Evensong on Sunday 3 May.

Last year
a choristership was endowed in perpetuity by Dr Murray Forbes Somerville, a former Organ Scholar of New College. In honour of this most generous gift, a fine silver medallion
designed by Eliza Higginbottom, has been struck, to be worn by a senior chorister.

Dr Somerville writes,

“Hazel and I are very grateful for this opportunity to contribute to the musical tradition of New College Chapel, especially now as Robert Quinney, whose musical brilliance we have admired from afar for several years, begins to set new directions for this ancient choral foundation.

“Actually, our gift is not only to support his work in the future, but is also in honour of three great men – Edward Higginbottom; who over three decades and more brought the choir to its unparalleled position of international renown; Sir David Lumsden, under whom the choir gained much fame for its recordings and tours, and who was generous enough to give me the opportunity to "enter into the inheritance of this place"; and William of Wykeham, whose ground-breaking choral foundation in the fourteenth century has had such a great influence on the whole history of English church music.

“We want also to affirm the place of the boy chorister tradition in the College and in English musical life.  Though we have both happily directed girls' choirs (indeed, the first RSCM girls course in the USA was set up during my time as Chairman of the Board of RSCM in America), we are concerned to see it getting seemingly harder and harder to persuade boys (and their parents) to choose singing over soccer – or even both soccer and singing!  The boys' choir of New College is thus ever more important as a beacon of excellence in this specific area, demonstrating that singing is indeed a boy-friendly activity.

“So we happily make this investment in the future of New College Choir, an integral part of Wykeham's great vision that continues to educate and inspire.  
Floreat in aeternam chorus collegii novi Oxoniensis!"

Robert Quinney added,
“I am delighted that New College Choir should have received so generous and supportive a recognition of its work - both its musical reputation, and its role as a beacon of our tradition, from which the boys involved benefit so deeply.  We must do everything we can to safeguard that tradition, while enabling access to it from as wide a constituency as possible.  Murray’s gift will help us do both, and sets a pattern I hope others will feel moved to imitate!  I look forward to bestowing the splendid medallion on the first Somerville Chorister, in the presence of the benefactor, this Sunday at Evensong.”
<![CDATA[Chorister Open Day - 13 June]]>Tue, 28 Apr 2015 00:06:06 GMThttp://www.newcollegechoir.com/news--events/2015-chorister-open-day-13-juneWe're pleased to announce the details of this year's Chorister Open Day, which will take place on the afternoon of Saturday 13 June, 4-6pm. If your son is aged somewhere between two and six, loves singing, and you're interested in the possibility of his being one of the Choristers of the Choir of New College Oxford, then this is the day for you - please do come along! No advance registration is required.

More information about the day can be found here.

You may also wish to view our information booklet for parents, Choristerships at New College, here.

<![CDATA[Trinity 2015 Organ Recitals]]>Mon, 20 Apr 2015 19:45:51 GMThttp://www.newcollegechoir.com/news--events/trinity-2015-organ-recitalsPicture
This term's organ recital series provides a wide selection of organ music from our three resident organists,
as well as one from Christ Church. The four recitals, all of which are free entry, on Sundays at 4pm, are as follows:

Sunday 26 April - Alex Pott (Christ Church)
Music by Alain, Bach, Franck and Pott

Sunday 3 May - Timothy Wakerell (New College)
Music by Bach and Lionel Rogg

Sunday 10 May - Nicolas Haigh (New College)
Music by Alain, Buxtehude and de Olague

Sunday 17 May - Robert Quinney (New College)
Music by Couperin and Grier